I have memories of being a little girl, playing outside in the yard and picking the wildflowers growing along the fence around my house. I’d always look for the ones with long, spindly stems that could be wrapped together to make flower crowns for myself and tiny bouquets for my mom.
As I grew up, those flowers suddenly took on new meaning — “Loves me, loves me not, loves me, loves me not…” until you landed on the last petal, which told you if your feelings were reciprocated.
Years ago I traveled to Portugal and Spain, a part of the world I’ve always felt drawn to thanks to my Puerto Rican roots. One of my stops was the Portuguese coastal town of Porto, and some of my favorite memories include a home-cooked meal of seafood caught earlier that day, ancient houses stacked endlessly on top of each along the hillside, and the azulejos —hand-painted blue and white tiles— decorating the facade of every building.
I’m obsessed with celestial anything-and-everything. I feel a natural pull towards watching the stars and catching the moon whenever she’s out, in the same way that I’m hypnotized by waves at the beach or a crackling fire.
When I was younger, my love of the moon and stars overlapped perfectly with my interest in Roman and Greek mythology, and when you mixed in my love of stories with female heroes, it’s little surprise that I was obsessed with the TV show “Sailor Moon.”
I just got back from a trip that felt like a jeweler’s pilgrimage, a visit to the annual Tucson Gem Show for stone hunting.
This show is actually made up of hundreds (and I do mean hundreds) of smaller shows happening all over Tucson starting at the end of January, and lots of jewelers will do a majority of their stone shopping for the entire year there. Gem and mineral vendors from all over the world bring their entire supplies of stones, and it can be the one of the few chances a jeweler has to find really unique and rare treasures.
Finding inspiration for a new collection never seems to be straightforward. Instead, my brain quietly logs away bits of information it comes across — a beautiful photograph, an unusual color combination, a scene from a movie that I can’t stop thinking about — until some of those seemingly random bits find each other and click together, suddenly forming a clear idea for a new jewelry.
Top to bottom, left to right: Beauty editorial from Harper’s Bazaar; Cleopatra’s cartouche (her name spelled in an enclosed oval shape) carved in a temple wall, photo by Trevor Lowe; Wall painting with the goddess Hathor, The Metropolitan Museum of Art; Fashion editorial from Harper’s Bazaar shot by Txema Yeste; “Egypt painted and described” by Robert Talbot Kelly, 1902; Necklace of pendants and beads from 1330 B.C., British Museum; Finger Ring depicting King Akhenaten and Queen Nefertiti, Metropolitan Museum of Art
Last January a few of those moments my brain had been storing away came together: a recent trip to The Met’s Temple of Dendur; thumbing through an issue of Harper’s Bazaar and seeing an image of woman in a long, flowing dress flanked by the columns of temple ruins; the saturated blues and greens of a new stone I’d just discovered; a passage in “Stoned” by Aja Raden about Egypt’s emerald mines. They all melded together into the idea of Cleopatra, the last queen of Egypt, and how she would adorn herself.
“Queen of the Nile” imagines Cleopatra having escaped to her desert palace where she can forget about her royal responsibilities for a moment. There she doesn’t need ceremonial necklaces or over-the-top headdresses, but more casual jewelry that’s artfully crafted from luxurious materials.
Left (the inspiration): Ancient Egyptian glass and electrum necklace, The Museum of Fine Arts, Boston; Ancient Roman ring from 1-200 A.D. in gold, pearl, and emerald, Bibliothèque nationale de France; Lapis scarab carving, source unknown; Right (the new designs): Hathor Ring; Aten Necklace with pearls; Khepri Scarab Necklace in brass
With that idea in my head, I wanted to feature stones found in Cleopatra’s Egypt, like peridot, emerald, and carnelian, and wanted to use pearls which were incredibly rare during her time. There’s an apocryphal story I love about Cleopatra showing off her power and wealth to Marc Anthony by dissolving a pearl in a glass of wine, as if to say, “I could get a dozen more of these if I felt like it.”
I was inspired by the Egyptian jewelry found at The Met, featuring golden amulets strung between beautiful stone beads. I wanted to blend Egyptian motifs like the scarab, symbolizing renewal and rebirth, with Roman elements like metal beading. And carving these new pieces in wax gave everything a hand-wrought feel, like it was just discovered after centuries buried in the sand.
Left (the inspiration): Shell and carnelian necklace from 1802–1640 B.C., The Metropolitan Museum of Art; Etruscan finger ring from 525 - 330 B.C., Thorvaldsens Museum; Right (the new designs): Selene Studs in spiny oyster with copper; Selene Bracelet with pearls and carnelian
My hope is that this collection is a new, wearable take on a rich and ancient past. But most importantly, I hope you fall in love with it like I have, and that it brings you a little bit of joy every time you wear one of these pieces.